Mr. Bobby Maddex: Welcome to Ancient Faith Presents. I'm Bobby Maddex, the director of digital media for Ancient Faith Ministries. Today I will be speaking with Zachary Waltz, the headmaster of Hagia Sophia Classical Academy. This is an Orthodox classical academy in Indianapolis, Indiana. I will also be speaking with Fr. David Wey; he is the rector of the academy. Gentlemen, welcome to the program!
Mr. Zachary Waltz: Thanks, Bobby! It's great to be with you.
Fr. David Wey: Thank you, Bobby!
Mr. Maddex: All right, let's begin with you, Fr. David. Can you tell us a little bit about Hagia Sophia and its history?
Fr. David: So from this vision that I received from my archbishop almost 30 years ago, I've been looking for and talking with all of our local Orthodox brethren about trying to create an Orthodox Christian school. The classical piece was the key, was the secret that made it seem doable for us. So after lots of discussion and exasperation, we finally launched 13 years ago as a parochial school of our parish, Ss. Constantine and Elena, under the blessing of His Eminence, Archbishop Nathaniel, and the Romanian Episcopate in the OCA. We've been building the school now through an entire cycle of a child's life in education, 13 years. So we're still looking to expand, grow, deepen, and offer this alternative to Orthodox parents who are looking for a deeper, more integrated education for their children.
Mr. Maddex: Yeah, so you're starting a school, and I guess you have so many options with the direction you want to go with the curriculum and the pedagogy and everything else. Why did you choose an Orthodox classical school?
Fr. David: That's a great question, and I'll just answer briefly, and maybe Zach can fill in the blanks. While we were trying to consider what kind of a school to start as an Orthodox school in the area, there [were] charter schools, the private school, and so forth. Then some of our teachers and people that were on the initiating group began to talk about classical education, and that just really— It was like the secret key that just clicked for me, because it was— It's like this is the way to do a small school, to start small, and to integrate it in with our Orthodox faith more completely. So the classical model, which hopefully we can unpack for you a little bit, was for me kind of like the key to doing something that would be resonant with our Orthodox faith.
Mr. Waltz: Yeah. I was not there for the initiation of the school. I came in a year later, but for me in my journey was— As an undergraduate, I went to a classical school, a really well-known one, St. John's College, which is a great school. And what's unique about those are that we read all the major subjects; we don't have any specialties. So we read theology, philosophy, history, literature, as well as science, math, and language. And we do that through the great works; we encounter them through the great works. So for example we read Euclid, Newton, Einstein for the math. In philosophy, we read Plato, Aristotle, Kant, and so forth. It goes on roughly chronological order, so in freshman year there's the Greeks; sophomore year, Roman; medieval literature, and so forth.
I didn't grow up with any faith, but I have to say that going through the works and encountering these great works, and the beauty, truth, and goodness that were in them, they were what made me long for God and an encounter with him. So when I finally read a work called Pascal's Pensées, that's when I— That's sort of my conversion moment, and I sought God afterwards in the Orthodox Church. For me, the encounter with the classics and a classical education has always been interwoven with the faith. They complement each other so well that when I came to Indianapolis after St. John's, I just thought it was wonderful that there was a school right here in town that merged both the Orthodox and the classical together.
Mr. Maddex: Yeah, Zach, can you describe the school for us a bit and how it generally operates?
Mr. Waltz: Sure! So we offer a rigorous liberal arts curriculum Monday through Thursday in language arts, math, and science. Then on Friday we also offer Christian studies, art, music, drama, physical education. And the Friday program is also open to homeschoolers, whereas Monday through Friday is also a full-time program for everyone else.
One emphasis, of course, too, while we don't read all the classical authors that I just referenced—one of our distinctions is that we do, in fact, read, for example, Homer in the middle school ages, and do engage with those classics. And then we do also teach Latin Monday through Thursday as well.
Mr. Maddex: Yeah, let's get to a really more fundamental question, because whatever your philosophy is of this, it's generally going to inform how your school is taught. So why don't you describe for us or explain to us what education is exactly?
Mr. Waltz: Great question! So if you look across societies and history, I think I've been able to detect all the following being involved in an education. Before the child becomes an adult, the child in a society is reared to be cultivated in the intellect, in the nous, learn right from wrong, build a conscience, acquire tastes, values, and norms, and this cultivation was used to prepare the young for the role they will play in the society as an adult, whether generally, as a member of a community, or specifically as a particular office of that community or society.
Mr. Maddex: Interesting that the cultivation of taste is listed as one of the ends of education. Can you tell me a little bit more by what you mean by cultivation of taste?
Mr. Waltz: Sure. Cultivation of taste is the cultivation of what delights or revolts someone, whether it be anything from taste in music or film, what company you keep, even religious service as well. I see this kind of thing, just a development of taste, done with parents all the time, whether they are conscious of it or not. I was with a family last spring who had their first child, who was less than a year old at the time, and they had a lively and really energetic debate about whether they were going to expose their child to Harry Potter or not. In the school, we the faculty periodically have discussions about how much of the pagan classics can be shown and at what age. But in my experience, taste actually decides more issues than anything else.
Mr. Maddex: Yeah, it's really interesting. So that's going to slot into the classical education format, so maybe we need to know a little bit more about that. How is classical education different from other types of education?
Mr. Waltz: Again, great question. One could say right off the bat that there are a huge variety of schools in the United States that call themselves classical. I would say what unites them all is a certain disposition. To understand this difference, it may be good to look at the history of the word "classical" itself. When the word "classical" was introduced in the English language, it quickly had three separate but interrelated meanings. It first meant of or belonging to the highest class, approved as a model. And at the time, the works that were of the highest class were of Greek or Roman origin, so the original meaning of "classical" also meant belonging to or characteristic of standard authors of Greek and Roman antiquity. Here in the word is also a third sense, something established, something that has withstood the test of time and is contrasted to something new. For example, classical literature was being compared to what was at the time the newer English literature, and then later, for example, the established classical music was later contrasted to at the time was the new Romantic music.
The three meanings of "classical" are still at play when we use the word "classical" in education. We teach things of the highest class, things that are approved as a model, often involving the study of Greek and Roman culture, languages, something that is older and has withstood the test of time, and then something contrasted to more modern practices. In any given classical school, they emphasize one of these over the other.
Mr. Maddex: Yeah, and what does your school emphasize?
Mr. Waltz: I would say we predominately are interested in teaching the highest class of things, even if they are not Greek or Roman and even if they are quite modern. For example, we love children's literature, some of which isn't that old, so Charlotte's Web, for example, I've said to the staff I think that's one of those works that everyone should encounter in their education. Conversely, we don't shrink from teaching the classics even if this is difficult. For example, we have students slowly start reading Latin in fourth grade. We have them reading the unabridged Iliad and Odyssey—in translation—in sixth grade.
Students have a similar exposure to advanced concepts in math and science. Of course, we do this in as approachable a method as possible. For example, students don't start off reading Virgil or Cicero, the hardest authors; they read stories in Latin that are very entertaining and enjoyable, which start out relatively easy and straightforward and only incrementally become difficult. We find every way to help the students we have excel at their studies.
Fr. David: Bobby, if I could slip in here, I just want to point out that another aspect that I think is very positive in our general approach is that—and this is something that classical education has a strength in, and that is to integrate the different subjects, so that when you're studying math you're also bringing in some of the ideas from the literature; when you're studying science you're bringing in perhaps some of the spiritual topics that you hear. We do prayers every morning to start the school day, and we read a gospel, the gospel of the day, and I usually have a small two-minute homily about the gospel. We integrate all of that sensibility, and we have an ongoing discussion within the faculty about how to make those things harmonize. That's something that's perhaps a little bit more unique in these days than the approach of our modern education, which segments things out into different subjects, siloes them, as it were.
Mr. Maddex: Well, here's the big question for both of you, I suppose. How is your school different from other classical schools?
Mr. Waltz: Yeah! I think it's helpful for me to answer that question. I think it's helpful to draw from the book, Classical Education: The Movement Sweeping America by Gene Edward Veith, Jr., and Andrew Kern. Throughout much of the 20th century, so-called classical education was pretty dormant with other types of schools being dominant. In the 1980s and early 1990s, there was a revival with three sorts of major practitioners and theorists: Douglas Wilson, who wrote Recovering the Lost Tools of Learning; Mortimer Adler, who wrote the Paideia Program; and David Hicks, who wrote Norms and Nobility. Nowadays, any one school can and does borrow from all three writers. We ourselves borrow from all three. However, different schools emphasize different strands. In our own school, we take our model and template from David Hicks.
Fr. David: It's worth noting that Hicks, along with our first headmaster of the school here locally, Andrew Kern, and some of the other folks whom you may be familiar with—and have probably interviewed, I would think, in times past—these were all people who came into Orthodoxy, actually converted to the Orthodox faith, through their exposure and their immersion in this model of classical education. What typically will happen is that they will discover that some of the champions in antiquity of classical education are St. Basil the Great, John Chrysostom, St. Gregory the Theologian, who happen to be three of our patrons of the school, by the way.
And so that sense of the antiquity being something that's connected to our living Orthodox tradition is something that happens not infrequently. Of course, as Zach mentioned, it's his own story as well. He was actually baptized into the faith here in our parish, and so there's a real integration going on between our faith experience and our education perspective.
Mr. Waltz: Yes, and so, getting to the meat of it then, what does David Hicks talk about? His thesis is— His vision of classical education is that: "Classical education stands for a spirit of inquiry and a form of instruction concerned with the development of style through language and conscience through myth."
Mr. Maddex: Wow. Can you unpack that quote for us a bit? What is it stating, exactly?
Mr. Waltz: Sure. As teachers, we should all realize that every lesson is inquiry. Starting with that first phrase, "classical education stands for a spirit of inquiry," you are always starting from what is known and inquiring into what is not known. Sometimes your inquiries are relatively simple, like: How do you write the letter A or write the number one? What is the number one? What is one thing? And then the inquiries could go into various degrees of complexity, like into irrational numbers or even the nature of God. Each type of subject has a particular type of inquiry that is appropriate to it and also a set of answers that are particular and appropriate to theirs as well.
But I want to go to— I want to say emphatically that the value of emphasizing the spirit of inquiry just cannot be understated. When I became Orthodox, the very first book I read was Metropolitan Kallistos Ware's The Orthodox Church. It made a very deep impression on me. It still seems to be a popular work, but in any event, in the very first pages of the introduction, Ware writes about the difference between Catholic, Protestant, and Orthodox. He says:
Christians in the West, both Roman and Reformed, generally start by asking the same questions, although they may disagree about the answers. In Orthodoxy, however, it is not merely the answers that are different. Questions themselves are not the same as in the West.
True Orthodox fidelity to the past must always be a creative fidelity, for true Orthodoxy can never rest satisfied with the barren theology of repetition, which, parrot-like, repeats accepted formulae without striving to understand what lies behind them. Loyalty to tradition, properly understood, is not something mechanical, passive, an automatic process of transmitting the accepted wisdom of an era in the distant past. An Orthodox thinker must see tradition from within. He must enter into its inner spirit. He must re-experience the meaning of tradition in a manner that is exploratory, courageous, and full of imaginative creativity.