A Sacrifice of Praise
“Eve's Daughter Mary Has Opened Your Mouth”: A Conversation With Susan Ashbrook Harvey
Amy and Richard talk to Brown University’s Susan Ashbrook Harvey about her work, including liturgical aesthetics in late antiquity, and how St. Ephraim the Syrian’s choirs of women in fourth century Edessa might be helpful models for us today. Show Notes: Extract from Jacob of Serug’s Homily on St. Ephraim the Syrian [Hyperlink to the pdf which is attached to the email] More of Susan Ashbrook Harvey’s Work: Music as Liturgy: Models from Ancient Syriac Christianity: ISOCM Presentation ISOCM Publication Performance as Exegesis: Women’s Liturgical Choirs in Syriac Tradition On Mary’s Voice: Gendered Words in Syriac Marian Tradition Singing Women’s Stories in Syriac Tradition Revisiting the Daughters of the Covenant: Women’s Choirs and Sacred Song in Ancient Syriac Christianity Modern Syrian Women’s Choirs: Syriac Choir of Nouri Iskandar, Aleppo Choir of St. Petrus, Stockholm Syriac Music Institute
Friday, August 12, 2022
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About
Byzantine chant is a living tradition comprising a rich, diverse, multilingual repertoire, and in recent years its practice, pedagogy, and development in English have expanded tremendously. English-language scores, recordings, teaching resources, and even professional credentials are now available, and new materials are being produced on an ongoing basis. Cantors Amy Hogg and Richard Barrett discuss the state of the field in English-language Byzantine chant, exploring where we’ve been, where we are, and where we’re going. Along the way you’ll hear interviews with different teachers, composers, and cantors, and—hopefully—you’ll learn to chant some things yourself!
English Talk
Walking to the Well